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Photos | Asia+ Festival's concerts by Kinan Azmeh fuse Arabic music with classical and jazz elements

This year's Asia+ Festival has invited Kinan Azmeh, a core member of Yo-Yo Ma's Silk Road Ensemble and an award-winning clarinettist and composer, to perform in Hong Kong for the first time in November. (Gov. HK/Source of photo: Liudmila Jeremies)

This year's Asia+ Festival has invited Kinan Azmeh, a core member of Yo-Yo Ma's Silk Road Ensemble and an award-winning clarinettist and composer, to perform in Hong Kong for the first time in November. He will be joined by percussionist John Hadfield and five emerging local musicians in a pair of concerts that showcase a broad range of music. The events are presented by the Culture, Sports and Tourism Bureau and organized by the Leisure and Cultural Services Department.

This year's Asia+ Festival has invited Kinan Azmeh, a core member of Yo-Yo Ma's Silk Road Ensemble and an award-winning clarinettist and composer, to perform in Hong Kong for the first time in November. (Gov. HK/Source of photo: Liudmila Jeremies)

Born in Syria and now based in the United States, Azmeh is widely acclaimed for his genre-crossing repertoire that blends Arabic music with Western classical and jazz influences. His work has been hailed by The New York Times as "intensely soulful", describing him as a "virtuoso". In 2017, Silk Road Ensemble's "Sing Me Home", which he contributed to, won the Grammy Award for Best World Music Album. Within the album is his composition "Wedding", in which he also appeared as a clarinettist.

The Asia+ Festival is offering "Concert by Kinan Azmeh" on November 22 and 23. Percussionist John Hadfield will appear as a special guest. (Gov. HK/ Source of photo: Rachel Eckroth)

Azmeh has performed in many major venues around the world, such as the Bastille Opera House in Paris, Berliner Philharmonie in Berlin and the United Nations General Assembly in New York. In the upcoming Hong Kong concerts, he will perform four compositions of different styles, which will express emotions that are universally shared. "The Fence, the Rooftop and the Distant Sea" portrays the composer's longing for his hometown, while "Ibn Arabi Postlude" exalts love and freedom, which he deems as sacred as religion. Another piece, "In the Element", depicts Azmeh's state of bliss as he becomes one with the natural environment he is familiar with. Lastly, "Suite for Improvisor and Orchestra" is his contemplation of the intriguing correlations between the composed and the improvised.

Besides sharing the stage with Hadfield are the five local musicians, namely violinists Nina Wong and Sammi Chan, violist Martin Kuo, cellist Kelvin Lee, and double bassist Evette Chiu. Part of this program was performed to critical acclaim for Azmeh's collaboration with the London Philharmonic Orchestra in London Southbank Centre last year.

 

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